Rubbernecking by Coleman Glenn


Beyond the median, a crumpled frame,
Police lights, acrid smoke. So now it’s clear
Why two miles back the interstate became
A shuffling carpet queued for a premiere.
I try to keep my gaze ahead; with luck,
Delays like this will soon be obsolete,
When cruise control ensures each car and truck
Can keep its steady progress down the street,
Immune to horror’s all-too-human hold
On those who cannot help but slow and see;
Creating distance, comforting and cold,
From the appalling possibility
That vehicles on both sides of the line
Contain, in fragile flesh, lives just like mine.

by Coleman Glenn

Twitter: @colemanglenn

Editor’s Note: This sonnet captures the moment of realization where mortality and curiosity mingle together uncomfortably.

Antipodes by Coleman Glenn


Thick snow fell the November he was born,
before we moved a hemisphere away
and she arrived one January morning,
crying to ignite the summer day.

He’s seven now, and this month she’s still five—
an artificial gap for kids so near
in size, in schemes, in love for things alive;
who hear, “Are you two twins?” more every year.

But she — she sings her world into existence,
narrating every heartbreak, every high;
elaborating stories with insistence
that this is real, that fairies are nearby.

He, too, dreams deep, builds Lego worlds, pretends;
he shouts his news to strangers when he’s proud.
But precious things he shelters and defends;
he often prays but seldom prays aloud.

And still, they live within a single story,
twined threads within a tapestry unfurled
by what they say or hide of grief and glory;
two sides of the same half-illumined world.

by Coleman Glenn

Twitter: @colemanglenn

Editor’s Note: Some poems are so beautifully written that it’s difficult to focus on any one thing that makes them work. This is one of those poems.

Labor of Love by Coleman Glenn

Labor of Love

The heavens fill with smoke as campfires blaze
and actors paint themselves into their pictures
while speakers echo back the choral strains
of tracks laid down in living rooms then mixed
for these tableaux. Cars crawl down Quarry Road
past shepherd families gathered in the gloom,
past travelers barely sheltered from the cold
beside the inn, told, “Sorry, there’s no room.”

Eight miles away a shepherd’s son, a nurse,
turns left to leave St. Joseph’s Hospital,
his finished double shift among the worst
since COVID hit — breaks skipped, the ward past full,
his team a missing-membered skeleton,
outbursts, code after code. A patient dead.
He hears among the blended baritones
his own voice as he nears the church ahead.

The wise men know, and Mary, and the choir,
that all their work here won’t bring on the dawn —
that they cannot supply the balm required
to give untroubled sleep to anyone
whose days and dreams of harried desperation
permit no heavenly peace, no silent night.
Only for this their weeks of preparation:
a single touch of myrrh, one tiny light.

by Coleman Glenn

Editor’s Note: The mix of perfect and slant rhyme (and iambic pentameter) nudges the reader along in this poem, past the hopelessness of despair, until we arrive at the last two lines where a tiny smidge of hope concludes the poem exactly right.