Although I hurry home as soon
As work is done each afternoon
(Speeding through every yellow light,
Tailgating, passing on the right),
It’s almost dusk when I arrive.
Having parked quickly in the drive,
I scan the birches in the yard
Whose branches look both iced and charred—
And empty. In the house, it’s dark
Already, calm. The birch trees’ bark
Glows through the kitchen window. Here,
Hoping they will reappear
Tonight, as they have for a week,
I sit and wait for the oblique
Descent that’s sudden but quiescent,
Wings flashing black and iridescent.
Their voices peal—discordant, keen—
While they begin to roost and preen.
They’ve been forced to these few cramped trees
(Where, for the moment, they won’t freeze)
Because some woods were felled and sold
For condos that the wealthy old
Will live in only half the year,
Leaving when autumn turns austere.
Meanwhile, the rest of us remain
As light and warmth and color wane,
Then struggle back toward spring in slow
Steps through the salted, melting snow.
These crows are now a part of this,
A presence we cannot dismiss.
One neighbor gripes, “Loud, that’s for sure.”
Another thinks they’re sinister.
To me each one seems an informant
Assuring us we’re merely dormant,
Not dead. If in the trees behind
My house they sometimes bring to mind
Hitchcock’s Birds, or the strange beaked mask
Plague doctors donned for their grim task,
The fractured music that emerges
Resembles dark airs more than dirges.
by Peter Vertacnik
Editor’s Note: This poem’s suspenseful opening immediately focuses the reader’s attention upon the narrator’s eager rush home. There is no murder here, only delight.
Poet’s Note: Tetrameter couplets in eight-line, “Marvellian” stanzas.